Honeymoon (1942), and Ernst Lubitsch's To Be or Not to Be (1942). Título original: To Be or Not to Be. Lubitsch designed “To Be or Not to Be” to be shocking, but only because the best satire is meant to shake you to your core. To Be or Not to Be is a Hollywood film of the boldest black humor, which went into production soon after the U.S. entered World War II. Written by When the Nazis invade Poland to start World War II, Sobinski and his colleagues flee to England while the Turas find themselves now having to operate under severe restrictions, including shelving a comical play they had written about Adolf Hitler. An executive of a shoe company becomes a victim of extortion when his chauffeur's son is kidnapped and held for ransom. Perhaps the boldest and most daring satire of its day, Ernst Lubitsch's To Be or Not to Be set the stage for such audacious films to follow as Stanley Kubrick's Dr. Strangelove (1964), Mel Brooks' The Producers (1967) and Quentin Tarantino's Inglourious Basterds (2009). Go to the content Go to the footer. In 1431, Jeanne d'Arc is placed on trial on charges of heresy. (Frank Capra) Ernst Lubitsch … With Mel Brooks, Anne Bancroft, Ronny Graham, Estelle Reiner. As nervy as it is hilarious, this screwball masterpiece from Ernst Lubitsch stars Jack Benny and, in her final screen appearance, Carole Lombard as husband-and-wife thespians in Nazi-occupied Warsaw who become caught up in a dangerous spy plot. Skip to Content. An adept of sparkling dialogue and naughty innuendo, Lubitsch flourished particularly in the pre-Hays-code Hollywood era—his continental romantic comedies and fanciful period pieces were flush with sexual repartee; such glittering confections as Trouble in Paradise (1932), Design for Living (1933), and The Merry Widow (1934) were perfect escapes for the beleaguered audiences of the Great Depression. His stamp was on every frame of film -- from conception to delivery. To Be or Not to Be - Jeux dangereux (To Be Or Not To Be), 1 DVD, 115 minutes Amazon.fr. Both of these turn out to be fictional ploys, and the newsreel itself is revealed to be a joke, as we shift to the theater company … Action, Certificate: Passed Plus que jamais, le cinéaste excellait à tirer les ficelles du rire pour aborder des thèmes profonds et complexes. After starting out as a performer in Max Reinhardt’s fabled theater company, Lubitsch went on to star in silent slapsticks for Berlin’s Bioscop film studio (he became well-known as the comic character Meyer), eventually writing and directing his own movies and becoming part of the legendary UFA studio. When it's learned that Siletski is really a German spy, Sobinski parachutes into Poland and enlists the aid of the Turas and their fellow actors to get that list back. It's a hilarious film and a beautiful film about a very sad time; yet it's never pedantic and it's never obnoxious. At the onset of WW2, a Polish actor's family and the Polish Resistance help the troupe of a theatre escape Poland and the invading Nazis. When it's learned that Siletski is really a German spy, Sobinski parachutes into Poland and enlists the aid of the Turas and their fellow actors to get that list back. Da die polnische Regierung nicht in Konflikt mit dem Hitlerregime geraten möchte, wird das Stück vom Spielplan abgesetzt, stattdessen spielt das Ensemble Hamlet. This FAQ is empty. Two Americans searching for work in Mexico convince an old prospector to help them mine for gold in the Sierra Madre Mountains. garykmcd. In the latest episode of Observations on Film Art, Professor Kristin Thompson explores how Ernst Lubitsch’s satirical masterpiece To Be or Not to Be employs a venerable cinematographic technique: three-point lighting. During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
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